You have to love LEGO. The toy is infinitely reusable and loads of fun. Besides that, LEGO makes GMing better. Here’s a rotating stand I built for my Kindle out of LEGO I got when I was a kid.
It’s IMAX for Minifigs!
It even comes with its own grumpy tech support.
“Have you tried turning it off and on again, block-head!”Every now and then I catch him playing solitaire.
The stand works without the rotating base too, and at it’s simplest — without the base and tech support — is only 12 LEGO pieces.
Lego GMing Tools
I use my Kindle when I GM, so the swivel base is great for showing my players the screen and keeping things at the right eye-height for quick rules checks. Maybe I should build a dice tower next.
Do you have any interesting GMing tools built out of LEGO? Share them in the comments below or tell us your story of how LEGO makes GMing better.
Stranger Things Season 3 – Episode 4: Hawkins’ Horde was our fourth session playing vs. Stranger Stuff, a game published by our friends at Fat Goblin Games.
Stranger Things Season 3 – Episode 4: Hawkins’ Horde
Disclaimer: Because Stranger Things Season 3 isn’t out at the time of writing, you don’t need to worry about spoilers, but I’m going to assume you’ve watched Season 1 and 2 already.
Our Stranger Things Season 3 – Episode 4 session saw the boys bringing the fight to the mindless hordes of Hawkins. Here’s a summary of episode 4, with tips for running your own Stranger Things campaign at the end of the post.
Stranger Things Season 3 – Episode 4 is brought to you by the RPG Blog Carnival. This month is hosted by Codex Anathema, and the topic is Gamemaster’s Cut, in which we look to the movies (and Netflix) for inspiration.
Stranger Things Season 3 – Episode 4 – Hawkins’ Horde
Scene 1
Player Characters: Lucas, Mike, and Dustin. Will was played by the GM.
Things kicked off from where we’d left off, with the boys watching as Eleven supercharged a truck with lightning.
Making quick plans, the boys cycled across town to the general store. Enroute, they encountered the four-legged brain creatures — which are roughly the size of footballs — for the first time. They managed to dodge them and recall some important Dungeons & Dragons law — they were dealing with intellect devourers, the spawn of mind flayers that have the ability to turn people into mindless thralls. Yup, everything’s starting to make sense now: mindless people in the streets, brain creatures trying to capture Nancy, people acting weird. Now they just needed to find a way to rescue Eleven and the rest of Hawkins.
At the general store, they managed to find the makings of smoke bombs, some rubber gloves, lighter fluid, and even a katana (in the manager’s office). Anyone remember the Anarchist’s Cookbook? I’m pretty sure the boys have a copy.
With Dustin on lookout, the rest of the boys made a dash for the town hall, where things were going totally bizarre. Eleven was still pulling down lightning bolts, and the truck, which was outfitted with some custom-built tech, was bathed in a blue field of energy. Suddenly the truck disappeared, leaving in its place a red portal into the Upside Down, rotating above the fountain in the town square.
Will, Lucus, and Mike had a hard time with the thralls in the streets but managed to put one or two down with a katana blow to the stomach and some Wrist Rocket shots. It turned out that whacking a thrall hard enough would free them of the intellect devourer’s hold. Good thing they only had 2 Toughness each.
Thrall Brains 1
Muscles 2
Toughness 2 Enthralled: A thrall that takes 2 damage is freed from the intellect devourer’s enthrallment.
The boys managed to get across town, fighting as they went. Mike made a Brains check to reverse a car into the fountain, jumping out just before it crashed. In moments the car was sucked through the portal, as it continued to grow.
Mike, Will, and Lucas were now surrounded by thralls and having a hard time of it.
Cut to Scene 2!
GM’s Notes: It was a long scene, but it was great giving the boys a chance to shine. I love Hopper and many of the older characters, but really it should all be about the boys (including Max an El). Scene 1 took up most of our session, but it was great pitting the boys against a town filled with zombies and watching the players figure out how to win through.
Scene 2
Player Characters: Hopper, Steve, and Billy.
Hopper and Steve showed up as the battle raged on. Behind them, blasting Rock you Like a Hurricane, was Billy. The three quickly grabbed the boys, pulling them into their cars, as El swung the portal at them. Everyone dodged, succeeding on a massive Muscles 11 check.
Then El swung again, pulling the portal across all the cars. Every one of them was sucked into the Upside Down.
Roll credits!
GMs Notes: Oops. I did something no GM should ever do. I made all the players suffer by forcing a failure on them after they had just made a massive save. This is the worst kind of railroading, and I’m sorry I did it. Not only do I now need to separate two groups of characters, but I also need to somehow get them back out of the Upside Down. Worst of all, the players might feel that their checks mean little in the greater scheme of the game.
GMing Stranger Things
Dealing with GM Error
We’re all less than divine. We mess up. GMs are under a more powerful lens than other players, and we owe it to ourselves and our players to learn from our mistakes and make a better go of things the next time around.
It’s worth looking back at why things went the way they did. I was set on getting Hopper, Steve, and Billy into the Upside Down. When the players dodged the portal that should have been it. They should have made a clean getaway. Because I was focused on them being sucked through the portal as the cliffhanger ending to the session, I didn’t consider other options. So, everyone got sucked through, without a check. If I’d been sharper I could have had something come through the portal, like a Demogorgon. Or have the portal continue to grow as the characters drove off. Both of those options would have been way more fun.
So, don’t hold onto your ideas too tightly, because that’s when you lose sight of what’s important: the players having fun. That was my mistake.
Till Next Time
Our next session is two weeks away, so check back in three weeks for more from Stranger Things Season 3.
Other ideas include minis, dice, a hand-stitched dice bag, art of a character, special snacks for game time, or just letting them know that you enjoy their game. At the end of the day, that’s what it’s all about.
Stranger Things Season 3 – Episode 3: Night Rhythm was our third session playing vs. Stranger Stuff, a game published by our friends at Fat Goblin Games.
Stranger Things Season 3 – Episode 3: Night Rhythm
Disclaimer: Because Stranger Things Season 3 isn’t out at the time of writing, you don’t need to worry about spoilers, but I’m going to assume you’ve watched Season 1 and 2 already.
Our third session of Stranger Things — Season 3 ended on a real cliffhanger. Here’s a summary of episode 3, with tips for running your own Stranger Things campaign at the end of the post.
Stranger Things Season 3 – Episode 3: Night Rhythm
Scene 1
Player Characters: Joyce, Jonathan, and Hopper.
Following Nancy’s abduction by Mr. Clarke and Barb, in the last session, Jonathan and Joyce called Hopper over to investigate. They didn’t discover much, just Nancy’s right shoe and some tire tracks.
Hopper did all his police things, then the characters headed over to the Wheeler’s house.
Scene 2
The audience sees Billy’s car, then we cut to see him kissing someone. The camera cuts again and we see Mrs. Wheeler pull back. She tells Billy that they need to stop meeting like this, but he reassures her that they won’t get caught.
On the radio, Rhythm of the Night, by DeBarge, is playing.
GM’s Notes: Yuck! I’m starting to hate Billy all over again.
Scene 3
Player Characters: Mike, Hopper, Joyce.
Joyce and Hopper arrive at the Wheelers. They discover that Mrs. Wheeler is out, with Mr. Wheeler asleep on the couch. Mike answers the door. The rest of the kids are down in the basement, playing D&D.
Hopper and Joyce break the news to Mr. Wheeler, who seems overly confident that Hopper will sort things out.
Hopper discovers that El is not there, and he’s unable to get her on the radio. The boys say they haven’t seen her all day.
GM’s Notes: The players had some time to try to coordinate, and figure out what was going on. I wanted to give them as much freedom as they needed to start getting a grip on the situation before I hit them with the next few bombshells.
Scene 4
Player Characters: Nancy. Later Billy and Steve.
Nancy wakes up in the dark. Slowly her eyes adjust and she sees small, pink creatures crawling over her. They’re gooping her with slime, while one climbs over her face. It has four legs, and its body looks like a brain, with a small underslung jaw. The jaw darts out, Aliens style, into her ear. She struggles, but the creature begins to deform, as if it’s moving through the mouth-tube, into her ear.
Nancy thrashes again, and this time breaks free. She rips the thing off her face and runs!
Bursting through a door, she finds herself in an abandoned bowling alley. As she runs, she throws stuff behind her, as she’s pursued by the creatures.
In the street, Steve is heading into a convenience store when Billy comes out, and shoulder bumps him. Before things can escalate between them, they notice that it’s unnaturally quiet in town. In the distance, some people are shambling towards them.
There’s a crash, as Nancy smashes a window with a bowling ball and leaps out into the street, followed by the brain creatures.
Steve runs into the convenience store and picks up a snow shovel, while Billy grabs a tire-iron (aka a wheel spanner). Billy pulls Steve into his car as Nancy jumps in, and Billy hits the gas, expertly driving around the mob of brain-dead people headed their way.
Billy and Steve vs the Horde.
As they drive off, they see a horde of more people around a truck in front of the town hall. Mr. Clarke is standing on top of the truck.
Mr. Clarke and the Horde around a truck (left of image). The streets are swarming with brainless shamblers and brain-creatures (red & blue).
Lightning strikes somewhere in the distance. A storm is rolling in.
GMs Notes: The brain-creatures are the same creatures who left tracks around Steve’s car, and were waiting for the PCs in the woods. Here are their stats:
Brain-Creatures Brains 1
Muscles 3
Toughness 3 Swarm: 3+ creatures. Make 2 attacks and draw +1 card per additional creature. Natural Weapon: 2 Toughness damage. Entangling Attack: opposed Muscles to entangle. Unentangle is -1 card and vs Muscles again.
Scene 5
Hopper gets a call from Dr. Owens, who’s in town, and describes that he’s seeing people mindlessly walking the streets. Hopper, who was on his way to Mr. Clarke’s house, hits the lights and speeds into town, passing a speeding Billy on the way. The lot of them hook up and head back to the Wheeler’s house. The kids were all sent home to bed… but they have other plans.
Scene 6
Player Characters: None, the GM took control of the boys to put them in deep deep trouble.
Mike, Will, Lucas, and Dustin arrange to meet on the edge of town at midnight. They’re worried about El, and, they figure, it’s usually them who figure out what’s going on before the grownups do.
They climb a water tower, while lightning flashes overhead. From the top they can see the town hall. A truck has been wired up to the clock tower, with wires attached to the lightning rod at the top of the building.
El walks out along the top of the building, throws her hands in the air and is hit by a bolt of lightning.
I think about what makes an interesting game a lot. It’s my job and my passion. A good cliffhanger ending gives the story power that lasts between sessions and makes your players want to come back for more.
I didn’t think this session was particularly good, at least from my side as the GM. I didn’t throw a lot of stuff at the players, and I felt I didn’t manage to keep everyone as engaged as I hoped. But the ending got great feedback from the players and really got them excited.
Planning a good cliffhanger and making sure you have time to play it out at the end of the session is worth it. Give your players something to think about until they’re at the table again.
Fan Theories and Table Talk
We talked a lot about fan theories during the game, and some real gems came up. I love table talk when it revolves around the game because players are full of ideas worth stealing. Listen to what your players are excited about, and work that into the game, with a twist or two, for even greater effect.
Flip-Mats and Minis
For this session, I used Paizo’s basic flip-mat and miniatures from Zombies!!! (Director’s Cut) and Doom: The Boardgame, with a few Micro Machines for cars. Anything will do really, I just thought these minis added a nice touch to the feel I was going for.
The flip mat is very handy, and gets used in most of my sessions — most highly recommended GM tool, besides a set of dice!
Till Next Time
Our next session is two weeks away, so check back in three weeks for more from Stranger Things Season 3.
Stranger Things Season 3 – Episode 2: Car Trouble was our second session playing vs. Stranger Stuff, a game published by our friends at Fat Goblin Games.
A big thanks to Margot for sharing her session notes with me.
Stranger Things Season 3 — Episode 2: Car Trouble
Disclaimer: Because Stranger Things Season 3 isn’t out at the time of writing, you don’t need to worry about spoilers, but I’m going to assume you’ve watched Season 1 and 2 already.
Our second session of Stranger Things — Season 3 was an even bigger success, as plots thickened, twists were turned, and an important character went missing. If you haven’t already, read the summary of episode 1 so that you’re up to speed.
Next up is a summary of episode 2, with tips for running your own Stranger Things campaign at the end of the post.
Stranger Things Season 3 – Episode 2: Car Trouble
Scene 1
Player Characters: Dustin, Mike, and Will.
The boys are back from school, watching TV at Mike’s house while it’s pouring with rain outside.
The players then recapped the previous session and made some plans. It was a Wednesday, with Halloween coming up. They talked about dressing up as the ThunderCats, and maybe going to see Back To The Future.
GM’s Notes: Yeah, you all know the fan theories about Stranger Things Season 3 and Back To The Future.
Scene 2
Player Characters: Lucas, Hopper, and Steve.
Lucas comes into the station just as Hopper and Steve are heading out to fetch Steve’s car. Because of the rain, Hopper offers Lucas a ride.
They talk about El and Mr. Clarke, who are both acting strange(er).
Steve’s car is still parked along the side of the road, but a Brains 7 check reveals that the car has been tampered with, and a Brains 5 check lets the PCs spot tracks under the car: something with four legs and two-toed feet has ripped out the car’s innards!
GM’s Notes: I’ll share stats once my players have encountered the critters, in a later post.
Scene 3
Player Characters: Hopper, Lucas, and Jonathan.
Hopper tows Steve home, then, with Lucas, heads to the school. They bump into Jonathan there.
Looking for El, they find the AV room locked. Once inside, they find that the equipment has been shifted (Brains 7 to spot this). On investigating, they find that the radios have been hollowed out and all their components removed.
They find Mr. Clarke and question him, but he only says that El went home. Hopper later gives Lucas an important assignment: “Watch him.” They figure out a plan to keep in radio contact, even though the radios are still full of static, which comes and goes in waves.
Scene 4
Player Characters: The Byers Family.
The family is making dinner and talking about recent events.
It turns out that Will is still seeing visions of the mind flayer. He gets the feeling that it’s frustrated about something, is watching something he can’t see, and waiting for something.
Joyce calls Hopper, so by now, all the playable characters are pretty much in the loop, except maybe for Max and her step-brother.
GM’s Notes: If you think you know what D&D monster is the big bad in our campaign, leave a reply in the comments. Hint: there are two monsters running amok in Hawkins, both of which feature in most versions of D&D (if not all).
Scene 5
Player Characters: Hopper, Jonathan, and Nancy.
Hopper heads home, but on the way gets a radio call from Flo. She doesn’t realize she’s passing on a coded message from Dr. Sam Owens, asking Hopper to meet him at a predetermined location — the bar.
Hopper calls El, who is uncharacteristically fine with Hopper being late.
Hopper meets Sam at the Gas Station Bar. Jonathan and Nancy are seated at the back (okay, they’re underage, oops). Hopper doesn’t see them, but they catch enough of his conversation with Dr. Owens.
Dr. Owens mentions that equipment — with big names Hopper doesn’t understand — has been going missing from Hawkin’s Laboratory. He also discovered a department that is using radio signals and running tests on subjects, similar to what was going on with Eleven.
Dr. Owens slips a key card to Hopper, then leaves. He’s obviously worried that talking to Hopper is going to get him into trouble.
GM’s Notes: Nancy should be 18 in 1985, according to strangerthings.wikia.com. Jonathan should also be 18. That’s the legal drinking age where I live, which is probably why it didn’t even occur to me to check before. Good thing Hopper didn’t spot them.
Scene 6
Player Characters: Nancy, Jonathan, and Joyce.
At the store where Joyce works. Jonathan now works here part-time.
Nancy is picking up some things when two men walk in from the local Radio Shack. They’re complaining about thefts and that they just had to let one of their employees go. The also mention the radio interference. Joyce confronts them about it, but they don’t have any answers.
After the men left, Nancy thought she saw Barb walk past the isles. Nancy called out, following quickly after, as Barb left the store. Jonathan joined the chase, which ended in a fight in an alley with Mr. Clarke (see the previous episode) and “Barb” turning on Nancy and Jonathan. I drew the Ace of Hearts and Mr. Clarke and Barb escaped, carrying off Nancy!
The credits rolled, and everyone was left eager to play episode 3.
GM’s Notes: If you’ve been keeping score, Mr. Clarke, El, and now Nancy have all fallen into the clutches of evil! Mwahaha!
GMing Stranger Things
Session Planning
My planning fills three-fourths of an A4 sheet, in two columns, 12 point font. I’ll only plot out four or so scenes, with a sentence or three about which characters are involved, what’s going on, and some stats and tests. Other scenes happen organically, based off what the players want to do. I usually plan a cliffhanger ending.
It’s a lot less prep than I do for a D&D game, which usually involves a few pages of notes, hand-drawn battle maps, miniature selection, and maybe even a spreadsheet to speed up combat.
The key to prepping a Stranger Things game is to define the major characters, their relationships, and the plots they’re involved in. Then you can set your players free to discover the story for themselves.
To keep track of everything, I use Twine.
Twine
Twine is usually used for building “Choose Your Own Adventure” style games, like our own line of solo role-playing adventures (now offered through our Patreon). It’s very easy to build a simple wiki with it too.
My first node is a menu page, with an alphabetical list of PCs and NPCs, locations, and other subjects. Every other page looks something like this:
** Subject 011 / El / Jane**
1. Notes about Jane...
Back to [[Main Menu]]
Breaking that down, it’s a heading, a numbered list of facts about the character, and then a button back to the main menu.
It doesn’t take much to expand the wiki, which I do as part of my session planning. It gives me a good idea of what’s going on so that I can roll with whatever my players want to do.
Playing and Spoilers
It happens that some of your players might not have finished watching previous seasons of the show. Life happens — I’ve been trying to get through Ant-Man since Christmas* — I know how it is. If that’s the case in your group, you have two unappealing options: spoil those episodes or play around them.
We’ve tried our best to avoid mentioning special moments near the end of Season 2, and a player asked to cut a conversation between two characters that would have revolved around the final episode. We still had fun, and our game makes perfect sense. So, personally, I don’t think it hampers the game too much to tread carefully around some of the plot endings.
Till Next Time
Our next session is a week away, so check back next month for more from Stranger Things Season 3.
Four contestants. Four adventure proposals. Only four winners…
As RPG Superstar enters its final round, it may be easy to dismiss the prize of the contest, since all four contestants are essentially winning it. The prize—a chance to write an adventure proposal for Paizo—is kind of like the round 5 submission. But there’s so much more at stake here—the contest isn’t called RPG Superstar for nothing—with each contestant having grown a fan base since the beginning of round 1. And that counts for a lot. Who will be the next Gygax?
So, who’s your favourite?
Avernos Unearthed
It is said that there exists a place on the very edge of vision, hidden in the shadow of shadows, where man is not welcome and where weird, twisted things live. None venture there by design, and those who enter unwittingly struggle in vain to escape. This is Feoni, land of the fey.
Campaign Journal
Game mastering takes effort, practice and dedication. Recently I’ve been reading the Pathfinder GameMastery Guide and thinking a lot about how I GM. Part of GMing is prep, but a whole other part is what you do at the table, which encompasses so many things: rules knowledge, social skills, time management, voice acting—the list goes on. Of all these variables, rules knowledge is probably the easiest to tackle during prep time and between sessions.
Last week I took a practice exam for DCI Rules Advisor, which might not have anything to do with roleplaying, but did get me thinking even more about rules. Things can get confusing, but usually it all comes down to common sense and an understanding of how the rules are written. What keywords are important for the game and how do they work? In Pathfinder we have checks and actions, with so much coming from the interactions of those two. Can you make an attack roll (it’s a kind of check) during a move action? No. Why? Well that all comes down to understanding those keywords and what they mean and how they work.
So if in doubt, go back to the basics, especially those keywords.
Rising Phoenix News
We’ve slashed our tile prices for this week only. Save big on Print-on-Demand and PDF titles until March 27th. Get em now!
In the story, a lost monk comes to the home of an old lady, who is actually a human-eating goblin*. She doesn’t invite him in at first, but finally lets him sit by her fire and feeds him. When her fire dies down she tells him not to look into the back room of the house, then goes out to gather firewood. When the priest gives in to his curiosity, he finds the grizzly remains of all her past victims. Making a run for it, he is chased through the night by a very angry—and probably hungry—geriatric goblin.
*In Japanese folklore, oni and goblin can be used interchangably, so the term goblin is used lightly here.
This tale could easily be turned into a thrilling, roleplay heavy, horror encounter.
Scene 1, the PCs are travelling at night. Perhaps they failed a navigation check or were given a missleading map. Force them to roll against the cold and fatigue, then offer them a shining light in the distance. On closer investigation they find the run-down home of an old woman who isn’t overly eager to let them in.
Scene 2, the delapidated hut. The old woman eventually lets the party in, offering them some rice and stoking up the fire. She’s friendly enough, but mostly she’s polite, and that offers interesting leverage—sure, you can go and collect the wood, but you’ll offend your host. For this scene a good knowledge of Japanese ettiquete makes all the difference between a good session and a great session, and you’ll want to give your players some prep too, so they can play along. The scene ends when the old lady tells the party not to go into the back room, then goes out to collect firewood. This the time to start building the suspense, which means it’s a perfect time for those Knowledge(local) rolls and the howling wind to pick up.
A lot will depend on how the players feel about their situation starting out. They might expect that the old woman will have a mission for them, that the cottage is really a safe place to be and that, after all, she’s just a little old lady. You want to lull them into a sense of peace. One option for this is the cold, but the party could also be hiding from monsters or just need a place to get those eight hours of rest.
Scene 3. The PCs will either stay around the fire, leave, or explore the house. All three options will probably lead to a confrontation with the goblin. So what kind of stats are we looking at here? I’d probably make her human and stat her as an NPC with ranks in commoner. With a reputation as a “goblin”, this little old lady cannibal is so much scarier than a real goblin. But really, she could be anything, whatever fits best with your campaign.
Once you’ve figured out who or what she is, the rest is fairly simple—the party needs to deal with her and get out of there. The cottage gives you a lot to play with; you could have traps, haunts, undead servants, prisoners that need freeing, rats, whatever fits with your idea of her hut.
For more inspiration, read up on Adachigahara, a sci-fi version of the story, and about the grusome Onibaba.
That’s all from me until next week. Tell Thrilling Tales
Last week I promised to tell you about a great structure for your stories and games. Well, let me introduce Joseph Campbell, and his book The Hero with a Thousand Faces. Mr Campbell says that all myths, no matter where and when they were created, share a common series of events. This structure is common to all heroes, from Luke Skywalker to Harry Potter, from Wolverine to Superman.
Here are some of the steps on the heroes journey:
A Call To Adventure
The hero or heroin lives in the normal world until receiving a call to enter a new, fantastical world. This is Gandalf inviting Bilbo to leave the Shire.
A Road of Trials
Having taken the first step, the hero now faces difficult challenges. This is the Fellowship of the Ring and their perilous flight through Moria.
The Goal or Boon
Having overcome great challenges, the hero now receives some boon that will aid him in his quest. This is Wolverine getting his adamantium skeleton, after being defeated by Sabertooth (in X-Men Origins: Wolverine).
“The cave you fear to enter holds the treasure you seek.”– Joseph Campbell
Return to the Ordinary World
The hero then returns to the world with the boon, facing troubles on the way. Luke Skywalker heading into Vader’s trap after training with Yoda, anyone?
Application of the Boon
The triumphant hero returns and uses the boon to improve the world he left. This is Harry Potter returning to his foster parents with his magical abilities.
Here’s another great explanation of the Hero’s Journey by Matthew Winkler...
Consider the Hero’s Journey when you create your next campaign or story, and how you might use it to challenge the heroes and make their impact more meaningful.
By far one of our most popular free downloads, NPC Strategy Cards are a useful tool for any GM. They are especially tailored to the Pathfinder Roleplaying Game and Dungeons and Dragons 3.5 and 4th Ed.
NPC Strategy Cards Book Cover
Using Strategy Cards
Before a session, look at your monsters and NPCs. Fill out a card for each. If you have 6 orcs with the same tactics, you don’t need 6 cards for them, just one for the group.
Use this writing time to plan how each monster will react to different actions from the players. Do they flee when they’re badly wounded, or stay and fight to the death? Do they rush into the melee, or take up bows and attack from a distance? Make your choices and write them down.
These cards are a handy reference during play, just look at the card to see how the NPC reacts. They’re also useful after play as a handy record for recapping the last session.
A few weeks ago I ran my “Where Heroes Stand” adventure. Set in mythical Japan and using the Pathfinder Roleplaying Game system, the players play villagers hunting a group of ninja. It was a great experience and I wanted to share what I learnt from the play test. Enjoy.
Stranger Things Season 3 – Episode 4 is brought to you by the RPG Blog Carnival. This month is hosted by Codex Anathema, and the topic is 
and thinking a lot about how I GM. Part of GMing is prep, but a whole other part is what you do at the table, which encompasses so many things: rules knowledge, social skills, time management, voice acting—the list goes on. Of all these variables, rules knowledge is probably the easiest to tackle during prep time and between sessions.
. Mr Campbell says that all myths, no matter where and when they were created, share a common series of events. This structure is common to all heroes, from Luke Skywalker to Harry Potter, from Wolverine to Superman.
